The hymn is represented by converting a musical note into colour and then placing it into a category of warm or cool and finally fixing it into one of the two planes, light or shadow. In some cases the form has been deliberately exaggerated and facts have been altered to benefit the aesthetic. An interest in the repeated notes in the lines of music - like agreements of notation, the two tone judgmental elements of religion that are dictated on the notes and an atheist perception create the sculptural form.

Paint on aluminium & braid
2400 x 500 x 166 mm